Graphic Images: from Implicit Meaning to Inferred Sense
نویسنده
چکیده
Two texts published in Formats 1 (“The initial guidelines and borders of visual play”) and Formats 2 (“Informative noncompliance and audiovisual communication”) analyze in detail the conceptual relations that occur in visual discourse between observation, with its iconicity of structures in the real world, and comprehension, which refers to symbolic objects. They also attempt to pursue the notion of knowledge from competence with which the user, when faced with intentional change of predictable characteristics of a visual utterance, initiates an inferential process to give sense to the utterance.
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